Being able to compare Yamaha RX-V385 and Marantz CINEMA 50 gave us an insight into what of them would be better for home theater configuration. According to the results of our review, Yamaha RX-V385 received 5 points out of 10 possible, and Marantz CINEMA 50 was rated 8.6 points. The release date of RX-V385 is 2018, and CINEMA 50 is 2022. CINEMA 50 is more performable in terms of audio broadcast than the RX-V385.
For the built-in amplifier, the devices received different marks - 5 and 8, respectively, on a 10-point scale.
The number of channels is equal to the number of possible connected speakers. The Yamaha RX-V385 supports 5.1-channels sound, but Marantz CINEMA 50 supports a 9.4-channels configuration.
RMS stands for the actual power of the receiver. The higher this value, the louder the sound can be produced. The differences between the models in terms of RMS power are significant - for the CINEMA 50 this value is 150/6 W/Ohm, and for the RX-V385 it is 70/6 W/Ohm.
|Stereo power (RMS), W/Ohm||70/6||110/8, 150/6|
|Output impedance, Ohm||6||8, 6|
|THD in stereo, %||0.09||0.08|
After reviewing the audio features of each model, we can rate the RX-V385 6 out of 10, and the CINEMA 50 - 7.
Bi-amping is the amplification of one speaker with two amplifiers. This amplification method has a positive effect on sound quality. Bi-amping is possible on the CINEMA 50.
Most receivers now come with a microphone included. It is with the help of this microphone that the auto-calibration system functions, which adjusts the sound of the receiver to the room.
Speaker A/B switching allows you to change between the main and sub speaker set. Marantz CINEMA 50 can work with the main and additional set of speakers - and switch between them.
|Digital to analog converter (DAC)||Burr-Brown 384 KHz/32-bit||192 KHz/32-bit|
|Pure direct (straight)||✔||✔|
|Auto speaker calibration||YPAO||Audyssey MultEQ XT|
|Speaker A/B switching||✖||✔|
|Other audio features||CINEMA DSP, Compressed Music Enhancer, Virtual CINEMA FRONT||Audyssey Dynamic Volume, Audyssey Dynamic EQ, Audyssey Dynamic LFC, Dirac Live Suppot, Compressed Audio Enhancer(MDAX2), Hi-Res audio|
The connectivity of competitors in our comparison is markedly different, Yamaha RX-V385 scored 5, and Marantz CINEMA 50 scored 9 out of 10.
Bluetooth connection is now one of the main communication protocols for the receiver's control or even music broadcasting.
Wired internet connection via RJ45 allows receiver faster connection than wireless or even use NAS storages. Wired connection via RJ45 is possible in the CINEMA 50 only.
DLNA is the perfect way to use your local cloud storage to stream movies and music directly to a TV. You can use the DLNA protocol only with Marantz CINEMA 50.
|USB||1 (USB 2.0)||1 (USB 2.0)|
Now music streaming services are gaining more and more popularity. They allow users to listen to millions of songs by subscription.
|Apple Music (AirPlay)||AirPlay||AirPlay, AirPlay 2|
|Other streaming services||has not||Deezer, TIDAL, Pandora, SiriusXM, Napster, SoundCloud, Amazon Music, Amazon Music HD, MOOD:Mix|
The presence of many connectors makes the receiver more versatile. But there are also narrowly targeted models, the number of connectors which are limited to a certain area of use. And when choosing their own receiver, users need to consider exactly your goals for using the receiver. For extensive connection, Yamaha RX-V385 got 6 points, but Marantz CINEMA 50 received 8 points.
Yamaha RX-V385 is equipped with 4/1 HDMI inputs and outputs, and Marantz CINEMA 50 has 6/3 HDMI inputs and outputs.
The HDCP encryption protocol is now mandatory for most media devices. This security technology encrypts digital signals from one product to another. HDCP content-encryption protocol is present on Yamaha RX-V385 in the HDCP 2.2 version, and Marantz CINEMA 50 has the HDCP 2.3 version.
Connecting a vinyl player or phonograph is possible using a Phono input which is represented by mini-jack or RCA connectors. Only the CINEMA 50 has a Phono interface.
|HDMI ARC (Audio Return Channel)||✔||✔|
|HDMI eARC (Enhanced Audio Return Channel)||✔||✔|
|Digital content protection (HDCP)||HDCP 2.2||HDCP 2.3|
|Subwoofer output (LFE)||1||4|
|Headphone output||1 x 6.3||1 x 6.3|
|Optical digital input||1||2|
|Coaxial digital input||2||2|
|Phono (MM) input||✖||✔|
|Front panel connectors||USB, phones, setup mic, AUX||USB, phones, setup mic|
|Multi channel preamp output||✖||✔|
The AV receiver is the heart of the home theater. And in this case, support for all current video formats ensures the best user experience, so it is very important to consider this when choosing a device. Video features of rivals in our comparison were rated 8 out of 10.
With the 4K pass-through feature, the AV receiver sends "native" 4K signals to a 4K TV from a video source without any processing. The RX-V385 works with the 4K/60Hz video, and the CINEMA 50 has the 4K/120Hz.
The AV receiver passes "native" 8K signals from a video source to 8K TV without any encoding, with the 8k pass-through features. The 8K path-through is available on Marantz CINEMA 50.
|HDR (High Dynamic Range)||HDR10||HDR10+|
|4K signal pass-through||4K/60Hz||4K/120Hz|
|8K signal pass-through||✖||8K/60Hz|
|HDMI signal pass-through||✔||✔|
|3D signal pass-through||✔||✖|
|HDMI pass-through in standby mode||✔||✔|
|Analog to HDMI scaling||✔||✖|
|HDMI to HDMI scaling||✔||✔|
|Other video features||DeepColor, x.v.Color||HLG, BT.2020, Dynamic HDR|
In terms of evaluating additional features, the RX-V385 got 6 points, but the CINEMA 50 has 10.
Voice control allows you to control the basic functions of the receiver through a smartphone, smart speaker or using the microphone that comes with the kit. The CINEMA 50 can be controlled by voice via Amazon Alexa, Google Assistant, Siri, Josh.AI.
|Voice control||✖||Amazon Alexa, Google Assistant, Siri, Josh.AI|
|App control||iPhone, iPod, Android||iPhone, iPad, iPod, Android|
|Display||fluorescent||port hole OLED|
|Tuner||AM, FM||AM, FM|
|Auto power off||✔||✔|
|Graphical user interface (GUI)||✖||✔|
|Firmware update||USB||network, USB|
|Other additional features||has not||IP Control, Web Control, App Control, RS232 Control|
As the center of a home media system, each multichannel receiver has an additional set of terminals for connecting the second set of speakers to create additional audio space in Zone 2 or even Zone 3 where audio can have the separate source.
|Multi-room zones||has not||2|
|Zone audio output||has not||speaker, preout|
|Zone HDMI output||has not||✔|
|Multi-room control||has not||Marantz 2016 AVR Remote, HEOS App|
|Remote control input/output (IR)||0/0||1/0|
|DC trigger output (12V)||0||1|
Yamaha RX-V385 got 5 points for the multichannel surround sound and Marantz CINEMA 50 got 10.
Dolby Atmos' particularity is that this is the object-oriented sound format, that is, each audio signal object is independently sounded and connected to its spatial position. Marantz CINEMA 50 can create 3D sound due to the Dolby Atmos support.
DTS:X is an algorithm used by the processor to create sound scenes, where sounds connected directly to objects rather than channels, and to determine the optimum sound output distribution in space. Surround sound with DTS:X is available on the CINEMA 50.
Auro 3D gives a bit more versatility than Dolby Atmos or DTS:X and provides a hemispherical sound and enables a receiver to produce 3D sound stages. Marantz CINEMA 50 has Auro-3D on its feature list.
IMAX Enhanced is a licensing and certification program under which home theater devices deliver crisp 4K HDR pictures and powerful sound as it was designed by the IMAX engineers. The CINEMA 50 licensed by IMAX.
|Dolby (other)||Dolby Digital Plus, Dolby Pro Logic||Dolby Digital Plus, Dolby Atmos Height Virtualization|
|DTS HD Master||✔||✔|
|DTS (other)||DTS 96/24, DTS-HD, DTS-EXPRESS, DTS-Surround, DTS-Neo:6||DTS-ES, DTS 96/24, DTS-HD, DTS-EXPRESS|