WILLIAM HELLERMANN
P.O. Box 31
Philmont, NY 12565-0031
518-672-0122
e-mail: whellermanncnm@taconic.netBorn in Milwaukee, Wisconsin, 1939. Educated at the University of Wisconsin (BS 1962), private study with Stefan Wolpe (1963-1965), Columbia University (MA 1969), and Columbia University School of the Arts (DMA 1976).
AWARDS
1992 SOS Grant from Rensselaer County Council on the Arts
1991 NEA Opera Music Theatre New American Works Grant
1990 New York State Council on the Arts Music Commissioning Grant
1989 New York State Council on the Arts Visual Arts Panel, Performance Art Grant in collaboration with the Medicine Show Theatre Ensemble
1988 New York State Council on the Arts Visual Arts Performance Art Grant
1985 New York State Council on the Arts Individual Artists Grant from the Media Panel
1984 New York State Council on the Arts Sponsored Projects Awards to Visual Artists for Sound Sculpture realized with Medicine Show Theatre Ensemble
1983 New York State Council on the Arts Commissioning Grant for Music Composition
1982 Grand Prize, XV Festival Internacional de Teatro, Barcelona, Spain for Extraordinary Histories (The Poe Project) with the Medicine Show Theatre Ensemble
1981 Martha Baird Rockefeller Fund for Music Supplemental Grant
1979 National Endowment for the Arts Composers Fellowship
1979 Creative Artists Public Service Grant Gallery Association of New York Lecture/Workshop Grant
1977 Composer in Residence. Center for the Creative and Performing Arts, Buffalo, New York
1976 National Endowment for the Arts Composers Fellowship Creative Artists Public Service Grant
1975 Martha Baird Rockefeller Fund for Music Aid to Composers Award American Music Center Composer Assistance Award
1972 Prix de Rome Fellowship to the American Academy in Rome Alte Kirche Boswil Foundation Prize (Switzerland) Gaudeamus Festival (Holland)
1970 American Music Center Composer Assistance Award Gaudeamus Festival (Holland)
1968 Dartmouth 1st International Electronic Music Competition Prize
1967 Composer Fellowship to Tanglewood
SOLO EXHIBITIONS
1994 ART/OMI-Ledig House, Ghent, New York
1988 Todd Capp Gallery, New York City
1987 Mission Gallery, New York City
1985 Mission Gallery, New York City Casa Du Monde Gallery, New York City
1984 Real Art Ways (RAW), Hartford, Connecticut
1982 Real Art Ways (RAW), Hartford. Connecticut
1981 Franklin Furnace, New York City
1980 Real Art Ways (RAW), Hartford, Connecticut
1979 Project Studios One (P.S. 1), Long Island City. New York
1978 The Kitchen, New York City Hallwalls, Buffalo, New York Det Unge Tonkunstlerskab, Huset, Denmark
1977 Centre Cultural Americain, Paris, Prance Project Studios One (P.S. 1), Long Island City, New York
1976 A.C.I.A. Gallery, New York City
GROUP SHOWS
1999 CCCA Juried Group Show, Carrie Haddad Gallery, Hudson, New York
1998 Fanelli Show, OK Harris Gallery, New York City
1996 CCCA Photo Group Show, St. Charles Space, Hudson, New York
1995 CCCA Photo Group Show, St. Charles Space, Hudson, New York
1994 Synesthesia, San Antonio Museum of Art, San Antonio, Texas
1992 Music for Eye & Ear, Emily Harvey Gallery, New York City Dimensions of Sculpture, Foundation Gallery, CGCC, Hudson, New York On the Vanishing Point, In Series, Mount Vernon College, Washington, D.C.
1991 Exiles on Main Street, 313 Gallery, New York City NNYA, Saratoga Springs, New York
1990 Hard Corps, Bullet Space, New York City
1986 Huddersfield Art Gallery, England Ferens Art Gallery, Hull, England Serpentine Gallery, London, England Cuisinart, Mission Gallery, New York City Summer Sculpture Show, El Bohio, New York City Mappin Gallery, Sheffield, England
1985 Nexus Gallery, Philadelphia, Pennsylvania America at Work, Fashion Moda, New York City On the Walls/On the Air, Hayden Gallery, Boston, Massachusetts Alles und Noch Viel Mehr, Kunst Museum, Bern, Switzerland Fourth Holiday Invitational, A.I.R. Gallery, New York City
1984 The Sound/Art Show, The Sculpture Center, New York City Maine Photographic Workshops Show, Ledel Gallery, New York City The Sound/Art Show, Brooklyn Arts and Cultural Association, DCC Gallery, Brooklyn, New York Con Rumore, Den Haag, Holland The Sound/Art Show, Hartford Arts School, Hartford, Connecticut Art Awareness Gallery, Lexington, New York
I983 1984 Artists' Response, BrookIyn, New York Terminal Art Show, BrookIyn, New York Spare Parts, City Gallery, New York City
1982 Earworks, Grommet Gallery, New York City Down and Out of New York, Wake Forest Univ., Winston-Salem, North Carolina From the Permanent Collection of the Alternative Museum, NEA Gallery, Washington, D.C. The Monument Redefined, Gowanus Annual II, BrookIyn, New York The Four Directions, American Indian Community House Gallery, New York City Sound Corridor, Project Studios One (P.S. 1), Long Island City, New York Kunstlerschallplatten und Partituren, Gelbe Musik, West Berlin Sonorita Prospettiche, Rimini, Italy Cloudworks, Stewart Neill Gallery, New York City
1981 Crossovers, Just Above Midtown/Downtown Gallery (JAM), New York City Sixth Anniversary Exhibition, Alternative Museum, New York City Soundings, Neuberger Museum, Purchase, New York
1980 Musical Manuscripts, The Drawing Center, New York City
1979 Scores and Notations, Project Studios One (P.S. 1), Long Island City, New York
1976 Musical Scores, University of Wisconsin, Milwaukee, Wisconsin
1973 Contemporary Music Scores, The Baltimore Museum of Art, Baltimore, Maryland
1972 Graphic Music, Istituto Italo-Latino Americano, Rome, Italy
1971 Music Notation, Albright Knox Gallery, Buffalo. New York
SOLO PERPORMANCES
1993 Rake's Progress, DownTown Ensemble, Amble Dance Movement Center, Mellenville, New York
1992 After Dinner Music, One Bar Blues, El Ropo, DownTown Ensemble, Columbia-Greene Community College, Hudson, New York
1991 Non-Music for Musicians & Artists, Nantucket School of Art and Design, Nantucket, Massachusetts
Works by Dick Higgins, John Cage & Peter Zummo, DownTown Ensemble, Columbia--Greene Community College, Hudson, New York
1990 Works by Gaber, Goode, Zummo & Didkovsky, DownTown Ensemble, Greenwich House, New York City
Works by Lanza, Fulkerson, Gibson & Hovda, DownTown Ensemble, Greenwich House, New York City
Work by David Rosenbloom, DownTown Ensemble, Greenwich House, New York City
1986 Afterdinner Music, El Ropo, Goode Music Loft, New York City
Distances/Embraces, 537 Artworks, New York City
Afterdinner Music, Rake's Progress, Dharma Music Festival, Samaya Foundation, New York City
Hit Tune, Medicine Show Theatre Benefit, New York City
1985 Squeek, Creative Time Art on the Beach, New York City
Tremble, Hampshire College, North Hampton, Massachusetts
Sheet Music, Music Weighs an Egg, El Ropo, See Hear Festival, Samaya Foundation, New York City
1984 Go Guitars (by Lois V. Vierk), Experimental Intermedia Foundation, New York City
Sound Slide Show (w/Guy Klucevsek), Experimental Intermedia Foundation, New York City
El Ropo, Video Thanka, Samaya Foundation, New York City
For the Birds, Art Music Benefits, Area, New York City
1983 Equal Billing (and Cooing), Cheep Imitation, Ave Maria, The Bartered Bird, a Bird in the Band is Worth Two in the Bush, Bee Minor Mess, Tweet Suite, Chops, Squeeze Play, Deutsches Requiem, Hell's Bells, Mama Dada, Hit Tune, Vowel Movement, The Barbershop Quartet, The Pacman Canon, French Overture, Footnotes to a French Overture, Wind Up Symphony, New Found Land Theatre, New York City
Squeek, Spare Parts, City Gallery, New York City
Squeek, Ear Benefit, St. Bartholomew's Church, New York City
Cheep Imitation, Museum School, Boston, Massachusetts
Lady Astor (by Eleanor Hovda), Walker Art Center, Minneapolis, MInnesota
Morton Feldman Says (by Robert Ashley), Project Studios One (P.S. 1), Long Island City, New York
Tremble, DK Studio, Minneapolis, Minnesota
1982 Free Gotha I (by Jackson Mac Low), Washington Square Methodist Church, New York City
Nests, The New Wilderness Foundatio, New York City
Cheep Imitation, Villa Maria College, Buffalo, New York
For the Birds, Hall Walls, Buffalo, New York
For the Birds, Genesee State College, Buffalo, New York
1976 The Extended Guitar, Everson Museum. Syracuse, New York
Eye Scores Performance, A.C.I.A. Gallery, New York City
Meditative Partcipative Sound, The Brook, New York City
Local Exits, Cranbrook Art Museum, Bloomfield Hills, Michigan
The Extended Guitar, The Brook, New York City
En-Trances, Sounds Out Of Silent Spaces, New York City
Hums and Quacking, The Hartford School of the Arts, Hartford, Connecticut
The Extended Guitar, Real Art Ways, Hartford, Connecticut
Nests, Sounds Out Of Silent Spaces, New York City
1975 The Extended Guitar, McIntosh Center, New York City
Clips and Pieces, The Kitchen, New York City
The Extended Guitar, Amerikahaus, Munich, West Germany
The Extended Guitar, Festival D'Orleans, Orleans, France
The Extended Guitar, Free Music Store, Albany, New York
Salome (music for the theatre production by the Lindsay Kemp Mime Company of London),
The New York Theatre Ensemble, New York City
1974 The Extended Guitar, Amerikahaus, Berlin, West Germany
The Extended Guitar, Musik Forum, Uppsala, Sweden
The Extended Guitar, Fylkingen, Stockholm, Sweden
1973 The Extended Guitar, Biennale de Paris, Paris, France
The Extended Guitar, Radio Berne, Berne, Switzerland
1972 Part Sequences for an Open Space II, Loeb Student Center, New York City
CONCERT PERFORMANCES
1996 Post/Pone, DownTown Ensemble, Greeenwich House Music School, New York City
1995 For Otto (A Line in Return), DownTown Ensemble, Greeenwich House Music School, New York City
1994 On the Vanishing Point, DownTown ensemble, Art-Omi, Omi, New York
Hoist by Your Own Ritard, Interpretations Series, Merkin Hall, New York City
For John C-A-G-E, Joseph Kubara Recital, Roulette, New York City
1993 Rake's Progress, DownTown Ensemble, Amble Dance Movement Center, Mellenville, New York
Taps, Rock Music (Where the rub Comes In), DownTown Ensemble, Amble Dance Movement Center, Mellenville, New York
Taps, Rock Music (Where the rub Comes In), DownTown Ensemble, Amble Dance Movement Center, Mellenville, New York
For John C-A-G-E, DownTown Ensemble, Greenwich House, New York City
Hoist By Your Own Ritard, Interpretations, Merkin Hall, New York City
1992 After Dinner Music, One Bar Blues, El Ropo, DownTown Ensemble, Columbia-Greene College, Hudson, New York
On the Vanishing Point, DownTown Ensemble, In Series, Washington, D.C.
On the Vanishing Point, Goode Music Loft, New York City
1991 Still and All, NYU Composer's Forum, New York City
Blood on the Dining-Room Floor (text by Gertrude Stein), Medicine Show Theatre, New York
1990 Post/Pone, DownTown Ensemble, Greenwich House, New York
1989 On the Vanishing Point, The World Music Institute, Washington Sq. Methodist, New York City
Juicy Music, New Music America, Merkin Hall, New York City
1986 Music Sweeps Up, One Bar Blues, DownTown Ensemble, Greenwich Music School, New York City
1985 Still Lives, Medicine Show Theatre Ensemble, Queens Museum, Queens, New York
Still Lives, Medicine Show Theatre Ensemble, Neuberger Museum, Rye, New York
Long Island Sound, Samaya Foundation, New York City
1984 Still Lives, Medicine Show Theatre Ensemble, City Gallery, New York City
Still Lives, Medicine Show Theatre Ensemble, Lincoln Center, New York City
Circle Music 2, DownTown Ensemble, La Mama Annex, New York City
Circle Music 2, The Sculpture Center, New York City
1983 Three Sisters Who are Not Sisters, Medicine Show Theatre Ensemble, New Found Land Theatre, New York City
Extraordinary Histories, University of North Carolina, Greensboro, N.C.
Extraordinary Histories, Hollins College, Hollins, Virginia
Long Island Sound, Relache, Philadelphia, Pennsylvania
1982 Afterthoughts 1, Symphony Space, New York City
Extraordinary Histories, Arnold Schoenberg Institute, Los Angeles, California
Extraordinary Histories, Grand Odeon, Montpellier, France
Extraordinary Histories, Henie-Onstad Museum of contemporary Art, Oslo, Norway
Extraordinary Histories, XV Festival International de Teatre, Barcelona, Spain
Extraordinary Histories, Medicine Show Theatre Ensemble, New Found Land Theatre, New York City
Distances/Embraces, Gallery of Art, Chicago, Illinois
To Brush Up On, Buscaglia Catellani Art Gallery, Niagra Falls, New York
Round and About, Daeman College, Buffalo, New York
Ek-Stasis II, Stockholm, Sweden
To Brush Up On, Albright-Knox Gallery, Buffalo, New York
Ek-Stasis II, Belgium
On the Vanishing Point, North/South Consonance, New York City
1981 At Sea, Settembre Musica, Torino, Italy
For Otto: A Line in Return, Roulette, New York City
Row Music (Tip of the Iceberg), Roulette, New York City
At Sea, Roulette, New York City
Inter-Polations, Carla Hübner, Montreal, Canada
Round and About, Barcelona, Spain
Tremble Too, Roulette, New York City
Three Weeks in Cinncinnati in December, Roulette, New York City
Circle Music 3, Rutgers, New Jersey
The Violin Between Us, Roulette, New York City
1980 Three Weeks in Cinncinnati in December, Experimental Intermedia Foundation, New York City
Three Weeks in Cinncinnati in December, Center for the Creative and Performing Arts, Buffalo, New York
Still and All, Boston Conservatory, Boston, Massachusetts
2 Vibraphones, The Drawing Center, New York City
To Brush Up On, To the Last Drop, The Kitchen Center, New York City
1979 Three Weeks in Cinncinnati in December, The American Center, Paris, Prance
Long Island Sound, Yale University, New Haven, Connecticut
Still and All, The Music Gallery, Summit, New Jersey
Distances/Embraces, Center for the Creative and Performing Arts, Buffalo, New York
Long Island Sound, Center for the Creative and Performing Arts, Buffalo, New York
2 Vibraphones, Center for the Creative and Performing Arts, Buffalo, New York
Long Island Sound, Sonavera Festival Orchestra, Catskills, New York
Hidden Drives 1, Carles Santos - piano recital, Barcelona, Spain
Long Island Sound, Musical Elements Series, New York City
Distances/Embraces, Lowell State College, Lowell, Massachusetts
Distances/Embraces, Boston Conservatory, Boston, Massachusettr
Round and About, Antwerp, Belgium
Distances/Embraces, New England Conservatory, Boston, Massachusett!
Round and About, Robert Blackwood, Australia
Round and About, Torrens Art School, Australia
Distances/Embraces, Boston Classical Guitar Society, Boston. Massachusetts
Stop/Start, Orchestra Studio, Victorian College of the Arts, Australia
Round and About, Experimental Art Foundation. Australia
1978 Row Music (Tip of the Iceberg), World Music Days, International Society for Contemporary Music, Stockholm, Sweden
Round and About, Queensland Festival of the Arts, Australia
Round and About, Royal Melbourne Institute of Technology, Australia
Distances/Embraces, McGill University, Montreal, Canada
Round and About, Arts from America, Caulfield Arts Centre, Australia
Round and About, Peninsula Music Society, Australia
Round and About, C.C.H.E. Union, Australia
Round and About, 1st National Trombone Seminar, Australia
Afterthoughts 1, Center for the Creative and Performing Arts, Buffalo, New York
1977 Row Music (Tip of the Iceberg), Phil Corner, The Kitchen, New York City
Distances/Embraces, Glasboro State College, New Jersey
Still and All, Glasboro State College, New Jersey
Distances/Embraces, International House, Philadelphia, Pennsylvania
Still and All, International House, Philadelphia, Pennsylvania
Distances/Embraces, Temple University, Philadelphia, Pennsylvania
Still and All, Temple University, Philadelphia, Pennsylvania
Row Music (Tip of the Iceberg), John Tilbury, Room 100, Buffalo, New York
Still and All, , Room 100, Buffalo, New York
Distances/Embraces, Project Studios One (P.S. 1), Long Island City, New York
Still and All, Project Studios One (P.S. 1), Long Island City, New York
At Sea, Huset, Lordag, Denmark
At Sea, Stichtung Combinatie Van Utrechtse Muziekbelangen, Bilthoven, Holland
At Sea, Centre Cultural Americain, Paris, France
Afterthoughts 1, Holland Festival, Amsterdam, Holland
Distances/Embraces, Rutgers College, Brunswick, New Jersey
Still and All, Rutgers College, Brunswick, New Jersey
Distances/Embraces, Museum of Modern Art, Summergarden, New York City
Still and All, Museum of Modern Art, Summergarden, New York City
Still and All, American Landmarks Festival, New York City
At Sea, American Landmarks Festival, New York City
Ariel, Pollack Hall, Montreal, Canada
Row Music (Tip of the Iceberg), Carla Hübner, Hirschhorn Museum, Washington, D.C.
Row Music (Tip of the Iceberg), Carla Hübner, Century Club, San Francisco, California
"anyway... ", for Symphony Orchestra, Greenwich Philharmonic, Greenwich, Connecticut
"anyway... ", for Symphony Orchestra, Greenwich Philharmonic, Greenwich. Connecicut
1976 Row Music (Tip of the Iceberg), Carla Hübner, Purcell Room, London, England
Row Music (Tip of the Iceberg), Carla Hübner, Gaudeamus Festival, Holland
Round and About, Grupa Alea, Madrid, Spain
Still and All, Society for New Music, Syracuse, New York
For the Third Time, A.C.I.A. Gallery, New York City
At Sea, A.C.I.A. Gallery, New York City
Behind Bars, A.C.LA. Gallery, New York City
Row Music (Tip of the Iceberg), Carla Hübner, Golden Attic Chamber Music Society, Staten Island, New York
"But, the Moon...," Contemporary Chamber Ensemble, Alice Tully Hall, New York City
Row Music (Tip of the Iceberg), Phil Corner, The Hartford School of the Arts, Hartford, Connecticut
Still and All, The Hartford School of the Arts, Hartford, Connecticut
Still and All, Bowdoin College, New Brunswick. Maine
Distances/Embraces, Bowdoin College, New Brunswick. Maine
Still and All, Real Art Ways. Hartford, Connecticut
Long Island Sound, The Royal Conservatory, London, England
Long Island Sound, The Montreux Festival, Switzerland
1975 Row Music (Tip of the Iceberg), Philip Corner, Livingston College, Brunswick, New Jersey
Still and All, Barnard College, New York City
Afterthoughts 1, The Kitchen, New York City
Long Island Sound The Kitchen,New York City
Still and All, The Kitchen, New York City
Row Music (Tip of the Iceberg), Phil Corner, The Kitchen, New York City
On the Edge of a Node, The Kitchen, New York City
Ek-Stasis I, 12th Annual Avant Garde Festival, New York City
Mai '68, 12th Annual Avant Garde Festival, New York City
Row Music (Tip of the Iceberg), Carla Hübner, Alice Tully Hall, New York City
Ek-Stasis I, Pollack Hall, Montreal, Canada
Circle Music 2, Western Michigan University, Kalamazoo, Michigan
Distances/Embraces, Amerikahaus, Munich, West Germany
Still and All, Festival D'Orleans, Orleans, France
"But, the Moon...," L'Itineraire, Carre Thoringy, Paris, France
Distances/Embraces, Albany, New York
Time and Again for Orchestra, Cliff Keuter Dance Company, New York City
1974 On the Edge of a Node, Villa Aurelia, Rome, Iraly
Long Island Sound, L'Itineraire, Englise des BIancs Manteux, Paris, France
Distances/Embraces, Musik Forum, Uppsalla
Distances/Embraces, Fylkingen, Stockholm, Sweden
Row Music (Tip of the Iceberg), Carla Hübner, Villa Aurelia, Rome, Italy
Passages 13 - The Fire, Gerard Schwarz, SoHo Ensemble, O.K. Harris Gallery, New York City
Ariel, The Forum Players, Napoli, Italy
Ariel, Sonja Henie Art Center, Hovikodden, Norway
Ek-Stasis I, Sonja Henie Art Center, Hovikodden, Norway
Columbus Circle, Contemporary Arts Pestival, Champaign/Urbana, Illinois
Circle Music 1, Groupe D'Etudes et Realizations Musicales, Orleans, France
1973 Time and Again for Orchestra, RAI Symphony Orchestra, Rome, Italy
Inter-Polations, Carla Hübner, Instituto Italo Latino Americano, Rome, Italy
Passages 13 - The Fire, Gerard Schwarz, Aspen Music Fesival, Aspen Colorado
Ek-Stasis I, Amerikahaus, Berlin, West Germany
Round and About, Conservatorio National de Musica, Mexico City, Mexico
Round and About, Manuel Enriquez Recital, Mexico City, Mexico
Circle Music 1, Musik Unserer Zeit, Munich, West Germany
Circle Music 3, The Manson Ensemble, Royal Academy, London, England
One into Another (Ariel), University of Illinois Chamber Players, Champaign/Urbana.
Distances/Embraces, Musee D'art Moderne, Paris, France
Distances/Embraces, Beat 72, Benefit for Chile, Rome, Italy
Distances/Embraces, American Academy, Rome, Italy
Distances/Embraces, Radio Berne, Berne, ltaly
Distances/Embraces, Forum Players, Rome, Italy
Distances/Embraces, DeTollis Theatre, Rome. Italy
Distances/Embraces, Sala Maggiore, Trieste, Italy
Distances/Embraces, Rassegna di Cultura, Pordenone, Italy
Distances/Embraces, Circolo Borghese, Florence, Italy
Stop/Start, Ensemble Musique Instrumentale Contemporaine de Paris, Paris, France
1972 Ek-Stasis I, Berlinerfest den Avantgardisten Musik, Berlin, West Germany
Ek-Stasis I, Cubiculo Theatre, New York City
Ek-Stasis I, Cubiculo Theatre, New York City
Ek-Stasis II, Philadelphia Composers Forum, Milwaukee, Wisconsin
Ek-Stasis II, Theatre de la Cite, Paris, France
Round and About, The Kitchen, New York City
Round and About, Bowdoin College, New Brunswick, Maine
Round and About, The Forum Players, Rome.,Italy
Circle Music 1, Alte Kirche Boswil, Basle, Switzerland
Circle Music 1, The Forum Players, Rome, Italy
Circle Music 2, Nuova Consonanza, Rome, Italy
Circle Music 3, Studio Musique Contemporaine, Gaudeamus Festival, Holland
One into Another (Ariel), Bruce Levine Recital, New York City
1971 Inter-Polations, Carla Hübner, Sea Cliff Music Festival, New York City
Ariel, University of Virginia, Charlottesburg, West Virginia
Resonata, Georgia State Brass Symposium, Atlanta, Georgia
Formata, Per Brevig Recital, Norway
Ek-Stasis II, Contemporary Music Ensemble of Northwestern, Evanston, Illinois
Ek-Stasis II, Contemporary Music Ensemble of Northwestern, Minneapolis, Minnesota
Round and About, Spencer Church, BrookIyn, New York
Round and About, Princeton University, Princeton, New Jersey
Round and About, Composers/Performers Group, New York City
Round and About, CDmposers Theatre Festival, New York City
Round and About, Alliance Francaise, New York City
Round and About, Bennington College, Bennington, Vermont
Round and About, Immaculate Heart College, Los Angeles., California
I970 Ariel, La Casa Americana, Madrid, Spain
Ariel, Columbia-Princeton Electronic Music Center Tenth Anniversary Concert, New York City
Formata, Instituto DiTella, Buenos Aires, Argentina
Formata, Evenings for New Music, New York City
Formata, Evenings for New Music, Buffalo, New York
Ek-Stasis I, International Festival of Electronic Music, Albany, New York
Time and Again for Orchestra, Utrecht Symphony Orchestra, Rotterdam, Holland
Time and Again for Orchestra, Utrecht Symphony Orchestra, Utrecht, Holland
Ek-Stasis II, Automation House, New York City
Ek-Stasis II, University of Northern Illinois, DeKalb, Illinois
Ek-Stasis II, Alice Tully Hall, New York City
Ek-Stasis II, Phillips Collection, Washington, D.C
1969 Inter-Polations, Carla Hübner, Carnegie Recital Hall, New York City
Ariel, 3rd Festival of Contemporary Arts, Wilson, North Carolina
Ariel, Fylkingen, Stockholm, Sweden
Formata, Carnegie recital Hall, New York City
Formata, WBAI Free Music Store, New York City
Formata, Music in Our Time Series, New York City
Ek-Stasis I, Grinnell College, Grinnell, Iowa
Ek-Stasis I, 3rd Festival of Contemporary Arts, Wilson, North Carolina
Ek-Stasis I, The Electric Circus, New York City
Ek-Stasis I, New Music Consort, Lincoln, Nebraska
Ek-Stasis I, Eastern Tennessee State University Humanities Festival, Johnson City, Tennessee
Ek-Stasis I, Composers Theatre, New York City
Mai '68, The Electric Circus, New York City
Mai '68, Columbia University, New York Citg
1968 Inter-Polations, Carla Hübner, Biblioteca Nacional, Santiago, Chile
Inter-Polations, Carla Hübner, Composers Theatre, New York City
Inter-Polations, Carla Hübner, Maison Francaise of N.Y.U., New York City
Ariel, Thc Electric Circus, New York City
Ariel, Grinnell College, Grinnell, Iowa
Ariel, Contemporary Directions, Ann Arbor. Michigar
Ariel, 1st Dartmouth International Festival of Electronic Music, Hanover, New Hampshire
Ariel, Group for New Music, Portland, Oregon
Formata, Columbia University, New York City
Formata, Composers Group for International Performance, Madison, New Jersey
Formata, Center for Interamerican Relations, New York City
Ek-Stasis I, Greenwich House Music School, New York City
1967 Inter-Polations, Carla Hübner, Greenwich House Music School, New York City
Inter-Polations, Carla Hübner, Pan American Union, Washington, D.C.
Inter-Polations, Carla Hübner, WNYC American Music Festival, New York City
Inter-Polations, Carla Hübner, McMillan Theatre, New York City
Ariel, Composers Theatre, New York City
Ariel,Pontifica Universitaria Catolica del Peru, Lima, Peru
Ariel, Instituto Cultural, Lima, Peru
Ariel, Columbia Composers, McMillan Theatre, New York City
Poem for soprano and Four Instruments, Group for Contemporary Music, New York City
Resonata, Music in Our Time,, Town Hall, New York City
Resonata, Tanglewood Fromm Players, Lenox, Massachusetts
Formata, Instituto Cultura, San Juan, Puerto Rico
Formata, Universidad de Puerto Rico, Puerto Rica
VIDEO
Squeek, produced by Global Village, New York City, ©William Hellermann 1978
The Early Bird Gets the Worm, produced by Global Village, New York City, ©William Hellermann 1978
Tremble, produced by the Western Front Lodge, Vancouver, Canada, ©William Hellermann 1980
DISCOGRAPHY
Ariel, Turnabout Records (VOX), TV 34301
At Sea, Edipan, PAN PRC S20-08
Ek-Stasis II, Contemporary Recordings Inc. (CRI) SD 299
On the Edge of a Node, Contemporary Recordings Inc. (CRI) SD 336
Passages 13 - The Fire, Nonesuch Records, H-71275
PUBLICATIONS
MUSICAL SCORES BY WILLIAM HELLERMANN
"Afterthoughts 1," Pieces 3..., Michael Byron, Editor, Ontario, Canada, 1977
"At Sea," Ear Magazine, Vol. 3, No. 6, New York, New York, New Wilderness Foundation, Sept./Oct. 1977.
Circle Music 2, for two or more instruments, Merion Music, Theodore Presser Company, Bryn Mawr, Pennsylvania,
1980.
Circle Music 3, for six players, Merion Music, Theodore Presser Company, Bryn Mawr, Pennsylvania 1980.
Clash/Clash, Stamps. Number 2, hand-made limited edition, New York, New York, R. Jacks Publisher, November 1977.
Crunch, Seventy- Six Pages, New York, New York, Summer 1977.
Distances/Embraces for solo guitar, Merion Music, Theodore Presser Company, BrynMawr, Pennsylvania, 1980.
Drip, Seventy-Six Pages, New York, New York, Summer 1977.
Ek-Stasis II, for timpani, piano and tape, American Composers Edition, American Composers Alliance, New York, New York, 1978.
Entrances, Scores: An Anthology of New Music, Roger Johnson, ed., New York, New York: Schirmer Books, Macmillan Publishing Co., 1980.
Exchanges, A Unique Colleclion of CIassic Guitar Pieces, Harvey Vinson, ed., New York, NewYork, Consolidated Music Publishers. Inc., 1972.
For John C-A-G-E, MusikTexte: Zeitschrift für Neue Musik, Vol. 46/47, Cologne, Germany, 1992
"Four Cents (a piece)," Benzene, Vol. 1, No. 3, New York, New York, Summer/Fall, 1981
Four Pieces for Guitar, Media Press, Champaign/Urbana, Illinois, 1969.
Homage to John Cage (photo of object), MusikTexte: Zeitschrift für Neue Musik, Vol. 46/47, Cologne, Germany, 1992
Long Island Sound for four instruments, Merion Music, Theodore Presser Company, Bryn Mawr,Pennsylvania. 1980.
Nests, Scores: An Anthology of New Music, Roger Johnson, Editor, New York, New York: Schirmer Books, Macmillan Publishing Company, 1980.
Nests, Ear Magazine. New York, New York: Wilderness Foundation, Sept./Oct. 1976.
Nests, Soundings 10, Peter Garland, Ed.. Berkeley, California, 1976.
Passages 13 - The Fire, for trumpet, tape, and four reciters, on a poem by Robert Duncan, Merion Music, Theodore Presser Company, Bryn Mawr, Pennsylvania, 1980.
Round and About, for two or more instruments. Merion Music, Theodore Presser Company, Bryn Mawr, Pennsylvania, 1980.
Row Music (Tip of the Iceberg) for solo piano, Merion Music, Theodore Presser Company, Bryn Mawr, Pennsylvania, 1980.
"Squeek," Seventy- Six Pages, New York, New York, Summer 1977.
Stop/Start for two soloists and two ensembles, Merion Music, Theodore Presser Company, Bryn Mawr, Pennsylvania, 1980.
Time and Again, for symphony orchestra, Merion Music, Theodore Presser Company, Bryn Mawr, Pennsylvania, 1980.
To Brush Up On, Ear Magazine, Vol. 3 No. 8/9, New York, New York, New Wilderness Foundation, Dec./Jan. 1978.
To Prevent Decay, Ear Magazine, Vol 3, No. 8/9, New York, New York, New Wilderness Foundation, Dec./Jan. 1978.
To the Last Drop, Scores: An Anthology o/ New Music, Roger Johnson, ed., New York, New York, Schirmer Books, Macmillan Publishing Company, 1980.
Umbrella, Soundings 10, Peter Garland, ed., Berkeley, California, 1976.
What(?), Painted Bride Quarterly, Vol 4. Nos. 3 and 4, Philadelphia, Pennsylvania, 1978
What(?), Text - Sound Texts, Richard Kostelanetz, ed., New York, New York, William Morrow and Co., Inc., 1980.
ARTICLES BY WILLIAM HELLERMANN
Hellermann, William. "Statement on Electronic Music," Electronic Music: A Listener's Guide, Elliot Schwartz, author and ed., New York., New York: Praeger Publishers, 1973.
_____ . and Earle Brown. "Interview," The Composer Magazine, Vol. 2, No. 4, March 1971.
_____ . and Philip Corner. "Breath Preludes," Ear Magazine, Vol. 2, No. 3, New York, New York: New Wilderness Foundation, May 1976.
_____ . "Letter to Peter Garland, July 6, 1976," Soundings 10, Peter Garland, Ed.. Berkley, California, 1976.
_____. "Letter to Philip Corner, April 13, 1976," Soundings 10, Peter Garland, Ed., Berkley, California, 1976.
_____. "Letter to Philip Corner, April 15, 1976," Soundings 10, Peter Garland, Ed., Berkley, California, 19'76.
_____ . "Local Exits (from the written material that goes with the score)," The Painted Bride Quarterly, Vol. 4, Nos. 3 and 4, Philadelphia, Pennsylvania, 1978, pp. 90-105.
_____ . " Row Music (Tip of the Iceberg)," World Music Days, Stockholm, Sweden: International Society for Contemporary Music, 1978.
_____ . and Sylvere Lotranger, "Interview with Phil Glass," Semiotex(e), Vol. III, No. 2, New York, New York. 1978.
_____ . "Beyond Categories," Benzene, Vol. 1, No. 3, Ncw York, New York, Summer/Fall 1981.
_____ . "Interview with Carolee Schneemann," 60's Retrospective Catalogue, Institute for Art and Urban Resources: P.S. 1, New York, New York, 1983.
_____ . "Experimental Music," NYB: An Arts Magazine, Vol. 1. No. 1, New York, New York 1985.
ARTICLES AND REVIEWS ABOUT WILLIAM HELLERMANN
Aletti, Vince. ""Photo:William Hellermann," Village Voice, New York, New York, July 26, 1988
Amerongen, Alex Van. "De Blokfluit als Misthoorn," New Rotterdam Courant, September 15,1970.
Anon. "Ensemble performs avant-garde music," The Independent, Hillsdale, New York, June 13, 1994
Anon. "DownTown Ensemble," The Chatham Courier, Chatham, New York, June 23, 1994.
Anon. "DownTown scheduled," The Chatham Courier, Chatham, New York, June 16, 1994.
Anon. "L'avant-garde californienne a Paris," Le Monde, November 10, 1981.
Anon. "Hellermann," Seattle FM Guide, July 1977.
Anon. "Les histoires extraordinaires en comedie musicale," Midi Libre, Montpelier, France, November 3, 1981.
Anon. "Long Island Sound by William Hellermann," Instrumentalist, January 1982.
Anon. "New Music America Catalogue," Real Art Ways, Hartford, Connecticut, 1984
Anon. "New Music America '84: Official Program," Hartford Advocate: Special Supplement, Hartford, Connecticut, JuIy 1984.
Anon. "New Writers set up at W. Ghent Colony," The Independent, Hillsdale, New York, June 2, 1994
Anon. "Night and the City,", The Independent, Hillsdale, New York, June 9, 1994
Anon. "Sculptor to speak at NISDA lecture series," The Inquirer and Mirror, Nantucket, Massachusetts, July 26, 1990
Anon. "SEM Ensemble features Hellermann and Oliveros," Albright Knox Gallery Calendar, February 1982.
Anon."Sheet Music by William Hellermann," Ear Magazine of New Music, Vol. 9, No. 4, New York, New York, March 1985.
Banes, Sally. "Music to Play By," The Village Voice, February 15, 1983.
Baracks, Barbara. "Craven Rebellion in the Crowd," The SoHo News, Iuly 30, 1980.
Benedetto, Donna. "The DCC: A Multi-Media Showcase of the Arts," Here's BrookIyn, Nov. 30 - Dec. 13, 1983.
Berner, Carl E. "Concert in Gardens a Musical Delight," Buffalo Evening News, September 26, 1979.
Bonfiglioli, Rossella. "Sonorita Prospettiche-Rimini, Flash Art, Milan, Italy, March 1982.
Broecking, Arden. "Lengthy New Work, Fine Oboist, Highlight Philharmonic Concert," Darien News, Darien, Connecticut, March 31, 1977.
Brush, Gloria. "Eleanor Hovda, Lives Here. Performs Everywhere," Arrowhead Arts, Vol 2, No.1, Duluth. Minnesota, March 1979.
Bulkeley, William M. "These Avant-Garde Musical Scores May Stimulate Both Eyes and Ears," The Wall Street Journal, Friday, December 14, 1984.
Burke, Bill and Cone, Joe. "Hums and Quacking," Hartford Advocate, Hartford, Connecticut, February 28, 1976.
Caux, Daniel, "William Hellermann, Tremble," Real Art Ways, November 1979.
Corner, Philip. "Row Music' at The Kitchen," Ear Magazine, Vol.1, No. 6, New York, New York: New Wilderness Foundation, December 1975.
Delehanty, Suzanne. "Mixed-media Exhibition of Sound and Art Opens at the Neuberger Museum," Soundings- Neuberger Museum, August 10, 1981.
Downs, Joan. "Music: Classical Records," Time, New York, New York, April 30, 1973.
Dwyer, John. "Young Artists Blaze New Trails in Music," The Buffalo News, March 4, 1978.
Eberle, Gottfried. "Ohne Notwendigkeit." Tagespiegel, Berlin, West Germany. June 13, 1974.
Ericson, Raymond. "Dartmouth Gets Competitive," The New York times, Sunday. April 4, 1968.
Foran, Jack. "S.E.M. Ensemble, Two Composers Present Meditational Contrast," Buffalo Evening News, Buffalo, New York, February 18, 1982.
Frank, Peter. "Review," Art News, Vol. 75, No. 9, New York, New York: November 1976.
Frank, Peter. "Soundworks II," Franklin Furnace, New York, New York, May 1981.
Friedman, Kenneth S. "Art Futures: William Hellermann," The Art Economist, Vol. II, No. 4, New York, New York, February 28, 1982.
Friedman, Ken. "Happenings: Personalities," National Arts Guide, Vol. II, No. 5, September-October 1980.
Friedman, Kenneth S. "Lifestyle-Magoo's," The Art Economist, Vol. II, No. 3, New York, New York, November 2, 1981.
Ginsburg, Marie. "This Week," The SoHo News, November 10, 1981.
Goldstein, Debbe. "William Hellermann Nests and En-Trances, Art on the Beach (July)," Life: A Periodical of Performing Arts, Journal Publications, New York, New York, No. 4.
Guinn, John. "An Idea Stretched Thin," Detroit Free Press, March 9, 1976.
H., E. "Sound Art - Sculpture Center," Art News, Vol. 83, No. 9, New York, New York, November 1984.
Harvey, James E. "Pianist Does Work of Forgotten Composer," The Flint Journal, Flint, Michigan, July 17, 1977.
Henahan, Donal. "Carla Hubner, Pianist Offers Recent Music," The New York Times, May 22, 1975.
Henahan, Donal. "Picking Up Musical Rubble After the Earthquake," The New York Times, September 6, 1981.
Henry, Otto W. "Performance of HPSCHD is Well-Planned, Rehearsed," The Wilson Daily Times, Wilson, North Carolina, November 1969.
Highwater, Jamake. "Music from the American Academy in Rome," The SoHo Weekly News, July 21, 1977.
Hughes, Allen. "Concert" Modern Music," The New York Times, New York, New York, February 21, 1976.
Hume, Paul. "Top Timpani," The Washington Post, Washington, D.C., June 1, 1970.
Job, Pierre, "L'Art Vide," Le Monde de la Musique, Paris, France, November 1978.
Johnson, Harriet. "Timpani Plus. Concert By Kregal," The New York Post, New York, New York, June 4, 1970.
Johnson, Tom. "A Surprise Under the Piano," The Village Voice, New York, New York, March 9, 1972.
Johnson, Tom. "Concerts in Slow Motion," The VilIage Voice, New York, New York. March 30, 1972.
Johnson, Tom. "Getting into Tremble," The Village Voice, New York. New York, March 13, 1978.
Johnsbn, Tom. "Intermedia Lives," The Village Voice, New York, New York, October 13, 1976.
Johnson, Tom. "Looking at Music," The Village Voice, New York, New York. December 3, 1979.
Johnson, Tom. "Maximalism on the Beach," The Village Voice, New York, New York, February 25, 1981
Johnson, Tom. "Music," The Village Voice, New York, New York. May 24, 1976.
Johnson, Tom. "Music, 'An Opinionated Survey of the World's Events'," The Village Voice, New York, New York, October 7, 1981.
Johnson, Tom. "New Music, New York, New Institution," The Village Voice, New York, New York, July 2, 1979.
Johnson, Tom. "The Original Minimalists," The Village Voice, New York, New York, July 27, 1982.
Johnson, Tom. "12th Century Minimalism," The Village Voice, New York, New York, January 14, 1981.
Johnson, Tom. "What Makes the Iceberg Tick?," The Village Voice, New York, New York, November 24, 1975.
Johnson, Tom. "William Hellermann," AIternate Center News, New York, New York, October 1977.
Jones, Carlton. "Nine Art Council Winners Get $5,000 Grants," The Sun, Baltimore, Maryland, 1982.
Kaplan, Melvin, ed. "But, the moon...'. William Hellermann," Lincoln Center, New York, New York, February 1976.
Kriegsman, Alan M. "Elbows on the Keyboard: New Compositions are Mostly Old Hat," The Washington Post, Washington, D.C., March 30, 1961.
Krill, John. "Contemporary Music Scores," The Baltimore Museum of Art, Jan. 9 - Feb. 11, 1973.
LaBarbara, Joan. "Clips and Pieces," The SoHo Weekly News, New York, New York, October 30, 1975.
LaBarbara, Joan. "New Music," Musical America, New York, New York, High Fidelity Publications, November 1971.
LaPalma, Marina. "Noisemakers; The Sound Art Show," Arts & Architecture, Vol. 4, No. 1, Los Angeles, California, May 1985.
Lehrman, Paul D. "Music from the American Academy in Rome," WNCN Program Guide, New York, New York, May 1977.
Levin, Kim. "William Hellermann." The Village Voice, New York, New York, January 7, 1986.
Lowens, Irving. "Timpani Concert Surprisingly Good," The Evening Star, Washington. D.C., June 1, 1970.
Luening, Otto. "Discouraging Vagueness," WBAI Folio, New York, New York: Pacifica Foundation, May 1978.
Lundberg, Camilla. "Slipsen Ateri," Expressen, Stockholm, Sweden, May 17, 1978.
Macomber, Frank. "Small but Cherished," Syracuse Post- Standard, December 1, 1976.
Mannoni, Gerard. "L'Itineraire: Deux Creations a Notre-Dame des Blancs Manteaux," Quotidien de Paris, Paris, France, April 26, 1974.
McLellan, Joseph. "Strange Music at The Kitchen," The Washington Post, Washington. D.C., Sunday, June 24, 1979.
Mejias, Jordan. "Hörbar Bilder, Sichtbare Klange," Frankfurter Allgemeine Zeitung, Frankfort, Germany, January 8, 1982.
Monossi, Baldassarre. "Sonorita Prospettiche da Domonani a Rimini," Gazzetta Di Parma, Parma, Italy, January 29, 1982.
Moore, Carman. "A Critical Happening," The Village Voice, New York, New York, February 23, 1967.
Moore, Carman. "A Different Drum," The Village Voice, New York, New York, June 15, 1970.
Moore, Carman. "Electronics," The Village Voice, New York, New York, September 9, 1967.
Moore, Carman. "Free Music," The Village Voice, New York, New York, April 3, 1969.
Moore, Carman. "GFCM. Home and Away," The Village Voice, New York, New York. March 2, 1967.
Moore, Carman. "Greenwich House Finale," The Village Voice, New York, New York, May 18, 1967.
Moore, Carman. "Last Supper," The Village Voice, New York, New York, September 25, 1969.
Nopar, Charles. "A Rich Variety of Modern American Chamber Works," Daily American, Rome, Italy, May 9, 1974.
Page, Tim. "Experimental Intermedia Foundation." The SoHo News, New York, New York, December 15, 981.
Page, Tim. "Music: A Show of Sound and Art," The New York Times, May 6, 1984.
Page, Tim. "Music Notes," The New York Times, July 15, 1984.
Page, Tim. "Music Picks: William Hellermann, Joseph Kubera," The SoHo News, New York, New York, October 13, 1981.
Page, Tim. "Offbeat Music Thrives in Loft Settings," The New York Times, New York, New York, June 5, 1978.
Palmer, Robert. "Mixed Forms: Hellermann's 'City Games'," The New York Times, New York, New York, June 5, 1978.
Pareles, Jon. "Music: 'Still Lives,' A Performance Piece," The New York Times, November 11, 1984
Payne, Anthony. "Review," Music and Musicians, London, England, July 1970.
Pigrim, Neva. "New Music Flourishes in Central New York," Society for New Music. Syracuse, New York, 1981.
Polaczek, Dietmar. "Schön Wieder das Gleiche Neue," Muncher Kulturberich, Suddeutsche Zeitung, No. 54, March 3, 1973.
Putnam, Thomas. "Musician-Artist in Concert Today," The Buffalo Courier-Express, Sunday, September 16, 1979.
Putnam, Thomas. "Strolling Musicians in the Sculpture Court," The Buffalo Courier-Express, February 19, 1982.
Reichenfeld, J. "Gaudeamus Week, op Laag pitje Begonnen," RotterdambIad, Rotterdam, Holland, September 8, 1970.
Reinthaler, Joan. "Carla Hübner," The Washinglon Post, Washington, D.C., March 29, 1977.
Rey, Anne. "Musique: Le Manifeste de Constantin Simonovitch," Le Monde, Paris, France, October 25, 1973.
Rey, Anne. "Musique: Concert d'Orgue et d'Ondes Martenot a L'Itineraire," Le Monde, Paris, France, April 25, 1974.
Richmond, Phyllis. "Gavronsky Reviews Revolution: 'Mai '68' is Eloquent Expression," Barnard Bulletin, New York, New York, March 19, 1969.
Rockwell, John. "Music: 3 Vierk Pieces Show Japan's Influence," The New York Times, December 22, 1984.
Russell, John. "Sound in 20th Century Art," The New York Times, New York, New York, December 6, 1981.
Sanders, Linda. "Rushing Roulette," The SoHo News, New York, New York, February 11, 1981.
Sandow, Gregory. "Concerts I Didn't Go To," The Village Voice, New York, New York, April 15, 1981.
Sandow, Gregory. "Gifted and Black." The SoHo News, New York, New York, February 18, 1981.
Sandow. Gregory. "Music." The Village Voice, New York, New York, December 17, 1980.
Sandow, Gregory. "Music," The Village Voice, New York, New York, January 26, 1980.
Sandow, Gregory. "An Opinionated Survey of the Week's Events: Music," The VilIage Voice, New York, New York, November 4, 1981.
Sandow, Gregory. "Radio, Radio," The Village Voice, New York, New York, August 31, 1982.
Sandow, Gregory. "The Weeks Events: Three Sisters Who Are Not Sisters," The Village Voice, December 20, 1983.
Sargent, Winthrop. "The Late, Late Show," The New Yorker, May 27, 1967.
Smith, Amanda. "William Hellermann , Maximal Composer," SoHo Weekly News, May 10, 1979.
Stephenson, Charles. "Hellermann Blazes New Trails with His 'anyway...' given its World Premier by Philharmonic,"
Village Gazette, Greenwich, Connecticut, March 31, 1977.
Stolper, Daniel. "IDRS News - Ahead to '74," To The World's Oboists, Vol. 1, No. 3, East Lansing, Michigan:
International Double Reed Society, December 1973.
Strongin, Theodore. "An Old Pro Tops a Modern Series," The New York Times, May 1, 1969.
Strongin, Theodore. "Brevig, Trombonist Plays Avant Garde at 2nd of 3 Recitals," The New York Times, October 20, 1969.
Strongin, Theodore. "Music in Our Time Complete Series," The New York Times, May 16, 1967.
Strongin, Theodore. "Music: Timpani Recital," The New York Times, June 5. 1970.
Suzuki, Dean. "Edwards, Jones, Hellermann, Bresnick," OP Magazine, Olympia, Washington, January/February 1983.
Szlek-Consoli, Elizabeth. "Understanding Contemporary Music: Meet the Composers," New School Bulletin, New York, New York, Spring 1979.
Thomson, Joan. "Virtuoso, Premier, Treats for Philharmonic Patrons," Greenwich Times, Greenwich, Connccticut, March 23, 1977.
Trimble, Lester. "Review," Stereo Review, New York, New York, March 1972.
Underwood, Paco. "Bill Hellermann Slept," Ear Magazine, Vol. 3, No. 3, New York, New York, New Wilderness Foundation, April 1967.
Van Wagner, Judy K. Collischen. "Sound Art," Arts Magazine, Vol. 59, No. 1, New York, New York, September 1984.
Vassi, Marco, "A Shattering Salome," Michael's Thing, New York, New York, January 13, 1975.
Vermeulen, Emst. "International Gaudeamus Week 1970: A Variago Panorama," Sonorum SpecuIum, No. 44, Amsterdam, Holland, Autumn 1970.
Vinton, John. "Boring and Revolting New Sounds Heard," The Evening Star, Washington, D.C. March 30, 1967.
W.H.B. "Daverend Succes Voor Trio Louis Van Dijk met USO," Utrechtsch Nieuwsblad, Dinsdag, September 22, 1970.
Walsh, Stephen. "Room for Rejoicing," The London Times, October 1, 1970.
Wayne, Elsbet. "Hellermann's 'City Games'," The Berkshire Eagle, Lenox, Massachusetts, July 31, 1981.
Wentz, Brooke. "New Music America Festival No. 6," Musicial America, New York, New York, November 1984.
White, Valerie. "Sculptor's Work Sings to Audience," The Register-Star, Hudson, New York, October 12, 1992
Yannay, Yehuda. "Music from Almost Yesterday (b. 1971)," Numus West, Vol. II, No. 1, 1975.
Yates, Ray. "Expectant Audience Disappointed," The Darien Review, Darien, Connecticut, March 31, 1977.
Zummo, Peter. "William Hellermann - The Book," SoHo Weekly News, New York, New York, January 27, 1976.
BOOKS AND EXHIBITION CATALOGUES
Battock, Gregory, Ed. "Experimental Music," Breaking the Sound Barrier: A Critical Anthology of the New Music, E.P. Dutton, New York, New York, 198l.
Chion, Michacl. "William Hellermann," Cahiers Recherche/Musique 4, La Musique a- t- elle un avenir?, Paris, France: Institut National de Audiovisuel, 1977.
Concannon, Kevin. On the Wall/On the Air: Artists Make Noise, Hayden Gallery, Massachusetts Institute of Technology, Exhibition Catalogue, 1985.
Delehanty, Suzanne. "Soundings Catalogue," Neuberger Museum, State University of New York at Purchase, Purchase, New York, 1981.
Gardner, Deborah Jane. "Morning Music," New York Art Guide, Arguide Publications, London, England, 1982.
Hagenberg, Roland, Ed. East Village: A Guide - A Documentary, Egret Publications, New York, New York, 1986.
Lischka, G.J. Alles Und Noch Viel Mehr, Die Katalog Anthologie der 80er Jahre, Benetelli, Bern, Switzerland, 1985.
Masotti, Franco. "Sonorita Prospettiche," Commune de Rimini, Rimini, Italy, 1982.
Schouten, Lydia. "Catalogus Voor De Tentoonstelling, 'Con Rumore'," Modern Denken, Nos. 7 & 8, Der Haag, Holland, 1984.