Let's make the Marantz CINEMA 60 versus Yamaha RX-V485BL comparison. According to the results of our review, Marantz CINEMA 60 received 8.3 points out of 10 possible, and Yamaha RX-V485BL was rated 6.6 points. The release date of CINEMA 60 is 2022, and RX-V485BL is 2018. After comparison, it will become clear that among these two devices, the CINEMA 60 is more suitable for the role of the heart of home theater system.
For the built-in amplifier, the devices received different marks - 7 and 5, respectively, on a 10-point scale.
The number of channels is equal to the number of possible connected speakers. The Marantz CINEMA 60 supports 7.2-channels sound, but Yamaha RX-V485BL supports a 5.1-channels configuration.
RMS stands for the actual power of the receiver. The higher this value, the louder the sound can be produced. The differences between the models in terms of RMS power are significant - for the CINEMA 60 this value is 140/6 W/Ohm, and for the RX-V485BL it is 80/6 W/Ohm.
CINEMA 60 | RX-V485BL | |
---|---|---|
Channels | 7.2 | 5.1 |
Stereo power (RMS), W/Ohm | 100/8, 140/6 | 80/6 |
Output impedance, Ohm | 8, 6 | 6 |
Frequency response | 5Hz-100KHz | 10Hz-100KHz |
THD in stereo, % | 0.08 | 0.09 |
After reviewing the audio features of each model, we can rate the CINEMA 60 7 out of 10, and the RX-V485BL - 9.
Most receivers now come with a microphone included. It is with the help of this microphone that the auto-calibration system functions, which adjusts the sound of the receiver to the room.
Speaker A/B switching allows you to change between the main and sub speaker set. Marantz CINEMA 60 can work with the main and additional set of speakers - and switch between them.
CINEMA 60 | RX-V485BL | |
---|---|---|
Digital to analog converter (DAC) | 192 KHz/32-bit | Burr-Brown 384 KHz/32-bit |
Bi-amping | ✔ | ✔ |
Pure direct (straight) | ✔ | ✔ |
Auto speaker calibration | Audyssey MultEQ XT | YPAO |
Speaker A/B switching | ✔ | ✖ |
Other audio features | Audyssey Dynamic Volume, Audyssey Dynamic EQ, Compressed Audio Enhancer(MDAX2), Hi-Res audio | CINEMA DSP, Compressed Music Enhancer, Virtual CINEMA FRONT |
The connectivity of competitors in our comparison is markedly different, Marantz CINEMA 60 scored 9, and Yamaha RX-V485BL scored 8 out of 10.
Bluetooth connection is now one of the main communication protocols for the receiver's control or even music broadcasting.
DLNA is the perfect way to use your local cloud storage to stream movies and music directly to a TV. You can use the DLNA protocol only with Marantz CINEMA 60.
CINEMA 60 | RX-V485BL | |
---|---|---|
Wi-Fi | 2.4/5GHz | 2.4/5GHz |
USB | 1 (USB 2.0) | 1 (USB 2.0) |
Bluetooth | ✔ | ✔ |
Ethernet (RJ45) | 1 | 1 |
DLNA | ✔ | ✖ |
MHL | ✖ | ✖ |
Now music streaming services are gaining more and more popularity. They allow users to listen to millions of songs by subscription.
CINEMA 60 | RX-V485BL | |
---|---|---|
Apple Music (AirPlay) | AirPlay, AirPlay 2 | AirPlay, AirPlay 2 |
Amazon Music | ✔ | ✔ |
Spotify | ✔ | ✔ |
Other streaming services | Deezer, TIDAL, Pandora, SiriusXM, Napster, SoundCloud, Amazon Music, Amazon Music HD, MOOD:Mix | has not |
The presence of many connectors makes the receiver more versatile. But there are also narrowly targeted models, the number of connectors which are limited to a certain area of use. And when choosing their own receiver, users need to consider exactly your goals for using the receiver. For extensive connection, Marantz CINEMA 60 got 8 points, but Yamaha RX-V485BL received 6 points.
Marantz CINEMA 60 is equipped with 6/3 HDMI inputs and outputs, and Yamaha RX-V485BL has 4/1 HDMI inputs and outputs.
The HDCP encryption protocol is now mandatory for most media devices. This security technology encrypts digital signals from one product to another. HDCP content-encryption protocol is present on Marantz CINEMA 60 in the HDCP 2.3 version, and Yamaha RX-V485BL has the HDCP 2.2 version.
Connecting a vinyl player or phonograph is possible using a Phono input which is represented by mini-jack or RCA connectors. Only the CINEMA 60 has a Phono interface.
CINEMA 60 | RX-V485BL | |
---|---|---|
HDMI input/output | 6/3 | 4/1 |
HDMI ARC (Audio Return Channel) | ✔ | ✔ |
HDMI eARC (Enhanced Audio Return Channel) | ✔ | ✔ |
HDMI CEC | ✔ | ✔ |
Digital content protection (HDCP) | HDCP 2.3 | HDCP 2.2 |
Subwoofer output (LFE) | 2 | 1 |
Headphone output | 1 x 6.3 | 1 x 6.3 |
Optical digital input | 2 | 2 |
Coaxial digital input | 2 | 1 |
Composite input | 0 | 2 |
Component input/output | 0/0 | 0/0 |
Phono (MM) input | ✔ | ✖ |
Front panel connectors | USB, phones, setup mic | USB, phones, setup mic, AUX |
Multi channel preamp output | ✔ | ✖ |
The AV receiver is the heart of the home theater. And in this case, support for all current video formats ensures the best user experience, so it is very important to consider this when choosing a device. Video features of rivals in our comparison were rated 8 out of 10.
With the 4K pass-through feature, the AV receiver sends "native" 4K signals to a 4K TV from a video source without any processing. The CINEMA 60 works with the 4K/120Hz video, and the RX-V485BL has the 4K/60Hz.
The AV receiver passes "native" 8K signals from a video source to 8K TV without any encoding, with the 8k pass-through features. The 8K path-through is available only on Marantz CINEMA 60.
CINEMA 60 | RX-V485BL | |
---|---|---|
HDR (High Dynamic Range) | HDR10+ | HDR10 |
4K signal pass-through | 4K/120Hz | 4K/60Hz |
8K signal pass-through | 8K/60Hz | ✖ |
HDMI signal pass-through | ✔ | ✔ |
3D signal pass-through | ✖ | ✔ |
HDMI pass-through in standby mode | ✔ | ✔ |
Video conversion | ✖ | ✖ |
Analog to HDMI scaling | ✖ | ✔ |
HDMI to HDMI scaling | ✔ | ✔ |
Dolby Vision | ✔ | ✔ |
Other video features | HLG, BT.2020, Dynamic HDR | BT.2020, HLG |
In terms of evaluating additional features, the CINEMA 60 got 10 points, but the RX-V485BL has 8.
CINEMA 60 | RX-V485BL | |
---|---|---|
Voice control | Amazon Alexa, Google Assistant, Siri, Josh.AI | Google Assistant |
App control | iPhone, iPad, iPod, Android | iPhone, iPad, iPod, Android |
Display | port hole OLED | colour OSD |
Tuner | AM, FM | AM, FM |
Sleep timer | ✔ | ✔ |
Auto power off | ✔ | ✔ |
ECO mode | ✔ | ✔ |
Graphical user interface (GUI) | ✔ | ✖ |
Setup assistant | ✔ | ✔ |
Firmware update | network, USB | network, USB |
Other additional features | IP Control, Web Control, App Control, RS232 Control | has not |
As the center of a home media system, each multichannel receiver has an additional set of terminals for connecting the second set of speakers to create additional audio space in Zone 2 or even Zone 3 where audio can have the separate source.
CINEMA 60 | RX-V485BL | |
---|---|---|
Multi-room zones | 2 | 2 |
Zone audio output | speaker, preout | speaker |
Zone HDMI output | ✔ | ✖ |
Multi-room control | Marantz 2016 AVR Remote, HEOS App | MusicCast |
RS-232 | 1 | 0 |
Remote control input/output (IR) | 1/0 | 0/0 |
DC trigger output (12V) | 1 | 0 |
Marantz CINEMA 60 got 8 points for the multichannel surround sound and Yamaha RX-V485BL got 5.
Dolby Atmos' particularity is that this is the object-oriented sound format, that is, each audio signal object is independently sounded and connected to its spatial position. Marantz CINEMA 60 can create 3D sound due to the Dolby Atmos support.
DTS:X is an algorithm used by the processor to create sound scenes, where sounds connected directly to objects rather than channels, and to determine the optimum sound output distribution in space. Surround sound with DTS:X is available only on the CINEMA 60.
CINEMA 60 | RX-V485BL | |
---|---|---|
Dolby Atmos | ✔ | ✖ |
Dolby TrueHD | ✔ | ✔ |
Dolby Surround | ✔ | ✖ |
Dolby (other) | Dolby Digital Plus, Dolby Atmos Height Virtualization | Dolby Digital Plus, Dolby Pro Logic |
DTS:X | ✔ | ✖ |
DTS HD Master | ✔ | ✔ |
DTS Virtual:X | ✔ | ✖ |
DTS Neural:X | ✔ | ✖ |
DTS (other) | DTS-ES, DTS 96/24, DTS-HD, DTS-EXPRESS | DTS 96/24, DTS-HD, DTS-EXPRESS, DTS-Surround, DTS Neo:6 |
Auro-3D | ✖ | ✖ |
IMAX Enhanced | ✖ | ✖ |
Multichannel stereo | ✖ | ✖ |