|
| Date = Year composed. Year = year performed. P = premiere. C = commission. |
| Composer | Title | Date |
Instrumentation | Year |
P |
C |
| Robert Ashley | Morton Feldman Says | 1964 |
speaker | 2000 |
||
| Quartet | 1972 |
ensemble | 1988 |
|||
| Viva's Boy | piano | 2000 |
||||
| Christian Asplund | Rain | 2004 |
voice and chamber ensemble | 2004 |
P |
C |
| Sara Ayers | Blood Music/Starless | voice and electronics | 2004 |
|||
| Bonnie Barnett | Intimate Conversations | 1997 |
voice and ensemble | 1997 |
P |
C |
| Dennis Bathory-Kitsz | Low Birds | 1999 |
ensemble | 1999 |
P |
C |
| David Behrman | A Time Telescope | woodwinds, keyboard, electronics | 1991 |
|||
| Homemade Synthesizer Music with Sliding Pitches | flute, clarinet, trombone, synthesizer | 2002 |
||||
| Barbara Benary | Aural Shoehorning | 1998 |
gamelan and Western instruments | 1998 |
||
| Barang I, II, IV | 1974 |
ensemble | 2000 |
|||
| Downtown Steel | 1993 |
large ensemble | 1993 |
P |
C |
|
| Sun on Snow | voice and ensemble | 1987 |
||||
| Tintinnalogia | 1995 |
violin, piano, percussion | 1995 |
P |
||
| Borah Bergman | Comprovisations | duos, trio, quartets | 1997 |
|||
| Multi-dimensional ideation | 1997 |
ensemble | 1997 |
|||
| Johanna M. Beyer | Have Faith | 1936-7 |
soprano and flute | 2004 |
||
| Suite I for Clarinet in Bb | 1932 |
Bb clarinet | 2004 |
|||
| To Be | 1934 |
soprano and clarinet | 2005 |
|||
| Universal-Local | 1934 |
soprano and clarinet | 2005 |
|||
| John Bischoff | Rondo | 2004 |
electronics and ensemble | 2004 |
P |
C |
| Krystyna Bobrowski | Drop Roll and Rock | 1989 |
2 pianos, 2 performers | 1993 |
||
| Benjamin Boretz | Black/Noise III | ensemble | 2000 |
|||
| Jim Boros | The Hen Series | tape and live readers | 1987 |
|||
| Stoyan Boshnakov | Stoned and On the Rocks | 1998 |
bagpipe and stones | 1998 |
||
| Earle Brown | December 1952 | 1952 |
graphic score | 1998 |
||
| November 1952 | 1952 |
graphic score | 1987 |
|||
| Synergy (November 1952) | 1952 |
graphic score | 1987 |
|||
| Gavin Bryars | Mr. Sunshine | 1968 |
graphic score | 1988 |
||
| Warren Burt | Heat Wave | 1999 |
ensemble | 1999 |
P |
C |
| Monique Buzzarte | Under a Blue Ceiling | trombone and electronics | 2004 |
|||
| John Cage | Musicircus | multiple ensembles | 1992 |
|||
| Radio Music | 1956 |
ensemble with radios | 1988 |
|||
| Solo for Voice 2 | 1960 |
voice | 1988 |
|||
| Solo for Voice 23 | 1970 |
ensemble and electronics | 1991,
1992 |
|||
| Solo for Voice 43 | 1970 |
ensemble and electronics | 1991,
1992 |
|||
| Cornelius Cardew | Autumn 60 | 1960 |
ensemble | 1994 |
||
| Treatise | 1963-7 |
graphic score | 1988 |
|||
| Octet 71 | 1971 |
ensemble | 1994 |
|||
| Robert Carl | Waterlight | 1978 |
piano and vibraphone | 1993 |
||
| Tom Chiu | eom. | 2001 |
ensemble | 2001 |
P |
C |
| Anthony Coleman | Grey and Grey (Minima Moralia 3) | ensemble | 1987 |
|||
| Light at End? | 1988 |
large ensemble | 1989 |
P |
C |
|
| Nicolas Collins | Tremble 2003 (after William Hellermann and Joe Jones) | 2003 |
guitar, motors, microphones | 2003 |
P |
|
| 100 of the World's Most Beautiful Melodies | digital trombone and ensemble | 1987 |
||||
| Philip Corner | 4th Finale | 1964 |
fluxmarch for ensemble | 1989 |
||
| Air Effect | 1962 |
ensemble | 1988 |
|||
| Certain Distilling Processes | 1962 |
ensemble with dancers | 2001 |
|||
| circle | 1995 |
ensemble | 1995 |
P |
C |
|
| Concentrics | ensemble | 1986 |
P |
|||
| gamelan One Note Once Each | 1989 |
gamelan | 1989 |
P |
C |
|
| gamelan VO IM-PR (ZS), communal | ensemble | 1985 |
||||
| Gong/Ear | 1989 |
ensemble with dancer | 1989 |
P |
C |
|
| One Note for Bob Watts | 1988 |
ensemble | 1988 |
P |
C |
|
| Prelude (or Just Another 12-tone Piece) | 2005 |
ensemble | 2005 |
P |
C |
|
| Terra Cotta | 1982 |
stone and water | 1993,
1998 |
|||
| Alvin Curran | VSTO – for Giacinto | ensemble | 1989 |
|||
| Noel Da Costa | Mobiles obliques | ensemble | 1995 |
|||
| Jon Deak | Sinister Tremors | clarinet, percussion, tape | 1988 |
|||
| Nick Didkovsky | Metamusic/Metatext | 1990 |
computer and ensemble | 1990 |
P |
C |
| James Di Giovanna and Greg Wildes |
Lissajous Go Figure | laser image modulated by speaker cones | 2003 |
|||
| Violeta Dinescu | Echoes II | 1993 |
piano and percussion | 1993 |
P |
|
| Dean Drummond | Precious Metals | solo flute | 1999 |
|||
| Dan Erkkila | Cannonade | ensemble | 1985 |
|||
| Hexagrams | 1984 |
ensemble | 1984 |
P |
||
| Morton Feldman | Intersections 2 | 1951 |
piano | 1988 |
||
| Two Pianos | 1957 |
2 pianos | 2000 |
|||
| Michael Finkel | Palisades | 2005 |
P |
C |
||
| Sinister Plaining | 4 cellos | 2000 |
||||
| David First | Distance Receives Permisssion to Enter | 1991 |
2 oboes, guitar, electronics, keyboard | 1991 |
P |
C |
| The Kracpot Variations | 2003 |
ensemble | 2003 |
P |
C |
|
| Miguel Frasconi | Studies out of Running and Longing | violin and 2 toy pianos | 1990 |
|||
| James Fulkerson | Music for Audience, Movement for Musicians | ensemble | 1990 |
|||
| Used, Abused, and Cheap Imitations II | 1990 |
ensemble | 1990 |
P |
C |
|
| Harley Gaber | The Narrow Road to the Deep North | graphic Score for ensemble | 1990 |
|||
| Jon Gibson | Ambient Destinies | hand-held stones | 1998 |
|||
| Rock Game | 1993 |
hand-held stones | 1993 |
|||
| Untitled | 1974 |
open instrumentation | 1994 |
|||
| Malcolm Goldstein | by way of definition (a sounding of Jackson Mac Low) | ensemble | 2001 |
|||
| The Fragility of Line | graphic score | 1986 |
||||
| Yosha's Morning Song | 1974 |
graphic score with instrumental extensions | 1985 |
|||
| Daniel Goode | 2-Noter | 2001 |
12 instruments | 2001 |
P |
C |
| AnnCela Express | 2005 |
2005 |
P |
C |
||
| AnnTrack | 2004 |
flexible orchestra | 2004 |
P |
C |
|
| Bell Rows | 1974 |
bell set | 1989 |
|||
| Clarinet Songs | 1980 |
clarinet | 2002 |
|||
| Contratoo (from The Shouting Opera) | 1986 |
ensemble | 1987 |
|||
| Drone World | ensemble | 1997 |
||||
| Drone World Blowout: Circular Breathing Event #3 |
2003 |
clarinet, didjeridus, trombone |
2003 |
P |
||
| Eight Thrushes, Accordion and Bagpipe | 1994 |
mixed ensemble | 1994,
1998 |
|||
| Eine Kleine... | mixed ensemble | 1990 |
||||
| Fiddle Studies | four wind instruments | 1985 |
||||
| Figure/Ground | clarinet, tape, slides by Dave Gearey | 1987 |
||||
| Hermit Thrush Collection | ensemble | 1989 |
||||
| Interpreting | 2004 |
narrator and ensemble | 2004 |
P |
C |
|
| Juicy Cantata, Pts. 1, 2, 3c | 1993 |
computer voice and ensemble | 1997 |
|||
| Juicy Cantata, Pts. 3 | 1993 |
computer voice and ensemble | 2000 |
|||
| Ländler Land | 2000 |
2 pianos, 3 cellos | 2000, 2001 |
P |
||
| Leaverage | 1993 |
ensemble | 1993 |
P |
||
| Managua-Matagalpa-Music | 1989 |
tape and performer with slides by Steve Cagan | 1989 |
|||
| Needles and Thread | 1988 |
gamelan | 1989 |
P |
||
| NOD-DRAMA | 1993 |
large ensemble | 1993,
1996 |
P |
C |
|
| Petra's Thrush | solo wind instrument | 2004 |
||||
| Phrases of the Hermit Thrush | 1974 |
clarinet | 1989,
2004 |
|||
| Re-Interpreting | 2005 |
narrator and ensemble | 2005 |
P |
C |
|
| Relaxing at the Piano | 1976 |
keyboard | 2001 |
|||
| Shaking Music | 1985 |
ensemble | 1985,
1986 |
P |
C |
|
| Soho Gamelan Walk | participation piece | 2001 |
||||
| Stamping in the Dark | 1977 |
ensemble with audience participation | 1986,1989 |
|||
| Stone Structures | hand held rocks | 1998 |
||||
| Three Talking Sculptures for Election Day | 1992 |
ensemble | 1992,
1993 |
P |
||
| The Thrush from Upper Dunakyn | 1976 |
guitar arrangement | 1989 |
|||
| Triocek | 1995 |
violin, cello, piano | 1995 |
P |
||
| Tuba Thrush | 1984 |
piano arrangement | 1989 |
|||
| Tunnel-Funnel | 1988 |
large ensemble | 1988,
1989 |
P |
C |
|
| Walking Down the Avenue | 1986 |
accordion | 1986 |
P |
||
| Walking Down the Avenue | 2003 |
2 pianos and c |